Our resident writer, Raza Rumi, wrote an op-ed for the New York Times on January 20, 2017. Read it below or on the New York Times website
Since Jan. 4, at least five bloggers and activists have disappeared in Pakistan. Perhaps the best known is Salman Haider, a poet and academic who has been a vocal opponent of religious extremism and the Pakistani authorities’ abuse of opposition activists. The others who have vanished had the courage to critique organized religion, the influence of clerics in Pakistan and the country’s powerful military on social media.
Throughout Pakistan’s history, dissent and free speech have been muzzled by a state that inherited a repressive legal framework from the British colonizers who ruled the Indian subcontinent until 1947. Journalists, poets, intellectuals and many politicians who questioned the state were labeled traitors, sometimes jailed or exiled, and on occasion killed. Almost every Pakistani government — military or civilian — has tried to control and manipulate the news media.
That kind of control has become more difficult as print and electronic media have expanded in the past decade and a half. Since the deregulation of electronic media in 2002, Pakistan has gone from three to 89 television channels. The state’s monopoly of the airwaves is over. Noisy talk shows regularly challenge the elected governments and their policies. But when it comes to the military, journalists and commentators are cautious, often indulging in self-censorship. Laws governing freedom of speech and the news media are vague, and their enforcement is arbitrary; critics are often accused of endangering national security.
The rise of social media and blogs has further expanded the space for dissent. Pakistanis can say on Facebook things they still could not get away with on television or in print. The missing activists, for example, were allegedly affiliated with satirical Facebook pages that ridiculed the hypocrisy of religious clerics and the flawed state policies of using jihad to further foreign policy goals.
Last year, the Parliament passed a draconian cybercrimes law curtailing digital freedoms. This law grants the government overarching powers to control and block information that state officials find offensive, examine and retain users’ data, and impose harsh penalties for a variety of offenses. The law builds on the narrow definition of freedom of speech that the Constitution guarantees in principle but with a number of exceptions that include “glory of Islam,” “the integrity, security or defense of Pakistan” and “public order, decency or morality,” among others. Such ambiguous terms are easily invoked to suppress dissent.
After the enactment of the cybercrime law, Pakistan’s intelligence agencies reportedly asked for legal cover to take pre-emptive “action” against people they believed were breaching national security. This demand was accepted. It is unclear whether the five bloggers and social media activists have disappeared under this arrangement. In fact, there is no information from any official source. But there is good reason to be worried.
In recent years, hundreds of suspected insurgents from the southwestern province of Baluchistan and religious militants from other parts of the country have allegedly been picked up by security agencies, never to be heard from again. A government commission is handling at least 1,129 cases of “missing” persons.
Even if the five activists reappear, they will face the wrath of zealots who want instant justice for blasphemers. In recent days, right-wing social media users and pundits have been smearing the missing men as blasphemers. In addition, they have been accused in absentia by conservative sections of the Pakistani media and right-wing trolls as pawns of foreign powers (read India, the eternal enemy) who are waging an information war against Pakistan.
The exact relationship between these right-wing loudmouths and the security services remains, as ever in Pakistan, murky. But these activists’ lives are most likely in danger. In 2011, a police guard killed Salmaan Taseer, the governor of Punjab Province, because he had publicly defended a Christian woman sentenced to death under the blasphemy law, a law he said needed to be reformed.
By cracking down on people opining on social media, Pakistan joins Turkey, Bangladesh, China and other countries where journalists and activists are hounded by the state and by extremists. Pakistan’s elites, both civilian and military, frequently complain that their country has an image problem. Such disappearances certainly don’t help. Moreover, in an interconnected world, such moves are counterproductive. The elected government of Pakistan must be held accountable for such brazen curtailment of rights. The Parliament needs to review the scope of internet freedoms as well as reconsider the nebulous guarantee of free speech provided by the Constitution.
The international community should help, too. It can remind the Pakistani government of its obligations under the United Nations Convention against Torture and International Covenant on Civil and Political Rights to put an end to enforced disappearances. In its 2015 compliance report on the civil rights covenant, the government stated that it was “firmly committed to the promotion and protection of human rights and fundamental freedoms.” It is time to move beyond lip service. Upholding freedom of speech will only bolster Pakistan’s fragile democracy.
But most of all, these missing men should be returned home safely as soon as possible.
Raza Rumi, who teaches at Ithaca College and the Cornell Institute for Public Affairs, is a consulting editor for The Friday Times, a weekly in Pakistan, and the author of “The Fractious Path: Pakistan’s Democratic Transition.”
As a benefit for Ithaca City of Asylum, Cornell’s Middle Eastern Music Ensemble will perform a concert of music from Turkey, Greece, Egypt, and Iran at Cinemapolis on Thursday, February 9th at 7pm. Middle Eastern sweets will be served.
Tickets are $15.00. $7.50 for students. Tickets available at the door (price includes a pastry).
Your support of ICOA at this time is particularly valued as our prospective next writer is from one of the 7 countries that Trump has imposed a ban upon.
ICOA is not-for-profit project of the Center for Transformative Action. It provides refuge in Ithaca for dissident writers and promotes freedom of expression. Founded in 2001, ICOA is a member—one of only two in North America —of the International Cities of Refuge Network, a worldwide consortium of cities of asylum.
Cornell University’s Middle Eastern Music Ensemble was established in 2002 and in its various iterations, the group has been delighting audiences on and off the campus ever since. Under its current director, Joseph Prusch, students, faculty, and community members interested in the rich variety of music from the region can come join to study and perform.
ICOA is pleased to invite you to attend Opera Ithaca’s production of Thumbprint, a contemporary opera inspired by the experiences of Mukhtar Mai, the first female victim of gang rape to bring her male attackers to justice in Pakistan. ICOA’s resident writer, Pakistani journalist Raza Rumi, will appear in a talkback panel after tonight’s 8 pm production at the Hangar Theatre. You can also see the opera on at 8pm on Saturday and 3 pm on Sunday. ICOA board members will be in the lobby at each show to share information about our work.
Nobel Prize-winning author and former ICORN resident Svetlana Alexievich visited Cornell University in September to present a moving lecture on her work. ICOA board members hosted a breakfast for Ms. Alexievich.
ICOA Board Member Barbara Adams and Svetlana Alexievich
This railroad has not been used for years. The solid rails rusted, just like your lifetime is eroded by wind and storms. The rails lie peacefully on the road bed, winding to a remote place.
There is an abandoned factory on the hill. The collapsed wall and shaft are immersed in the light of sunset. The wild weeds silence the noise of the past.
A girl is walking alone, far away along the rails. You can see her back, her short, dark brown skirt. Wind blows her long, black hair to her right shoulder. Her long, slim legs and neck remind you of your youth, the first sweetheart you had.
Twilight is so quiet flowing from the trees; the lake shines; the duck calls in a husky voice.
The girl keeps walking until she disappears from your sight.
This moment becomes forever, as if it contains all days and nights of your life.
* * *
“Dusk, the Girl, the Antiquated Railway” is the third of three new poems by Yi Ping written on the occasion of Ithaca City of Asylum’s fifteenth anniversary.